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Fickle Muses an online journal of myth and legend

Dragon 2 by Jill Brooks

"Dragon 2" by Jill Brooks

See Jill Brooks’ custom floor cloths at http://www.myspace.com/jbfloorcloths



Three poems by Paul Hostovsky

Young Orpheus

From the rearmost concert riser in elementary school band
he overshot a low note on the first
refrain of “76 Trombones” and lost
his slide. It slipped from his hands, clattered and bounced
down underneath the clarinets and oboes,
past the bassoons and flutes to the strings, where at last
it came to rest at the foot of the first violinist.
Slithering down in hot pursuit on his elbows,
he found himself in an underworld of soles
all beating out the time in a knee-deep darkness.
Retrieving his slide, he turned back at Janet Cole's
pumps, but couldn't resist looking up her dress
into that darker darkness—his only swerving. In that pause
he lost his head, and eternity roared—like applause.



After every job he did he said
god. He wasn't talking to god,
he was talking to himself
but if he didn't say god
after a job he did he didn’t
do the job right he said
to himself and not to god
or Bildad the Shuhite. It wasn’t
his job to say god—that
was someone else’s job,
and it wasn't superstitious
as if not to say it violated some
principle of magic. It was more
of a burp. It came from being
full of amazement, and heartbreak,
and sick with desire for the world,
and something not of the world.
It came from being on the job and on
his toes. He was on his feet all day for
god's sake. But he wasn't on the lookout
for god. For that was someone else's job.
He just happened to have a nose
for god. An ear for god. You could say he had
a good eye for god but it wasn't his job and he wasn’t
even talking to god. He was mad at god.



It wasn’t rape it was
perfectly tender the way he
enjoyed her body. Granted
his was the only volition in the room
as he circled and circled, staring, sniffing
and touching here and there in passing.
Oh she was stunning. He took in
her face for much, much longer
than her eyes would have permitted
if they weren’t nailed to the floor like
a slave’s eyes. He sized her up,
climbing slowly down her perfect body
then up again to her eyes which were
still frozen there on the floor like two small
winter deaths. But it wasn’t rape it was
breathtaking the way her breasts
gave themselves up ineluctably to his
tampering hands, her magnificent
nipples much darker and larger than he
had imagined. And when her first tear fell—
the only movement in the room outside
of his movements—he kissed it lovingly away,
and guided her gently, mythically down
to the floor where he fucked her next to her eyes.

“Job” originally appeared in Rock & Sling, Vol. 4, issue 1.

“Young Orpheus” originally appeared in White Pelican Review, Vol. 5, issue 1.

Visit Paul Hostovsky’s Web site at http://www.paulhostovsky.com/